Vocea actorului nu intră în lockdown

Authors

  • Monica Ciută UNATC ”I.L. Caragiale”, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/zq2v0r91

Keywords:

the learning process during the pandemic, online vocal technique teaching, sound and video recordings as learning instruments, face-to-face and online learning

Abstract

The analysis in question discusses the impact the pandemic has had on the vocal technique teaching process as triggered by the change from the face-to-face to the online interaction with the students at the “I.L. Caragiale” University of Theatre and Film in Bucharest. The analysis is based on a longitudinal study that took place over two semesters during the academic years 2019/2020 (second semester) and 2020/2021 (first semester), a research conducted with a number of 110 students specializing in Theatre and Performing Arts. The article describes the observation of some changes in the learning process and of the products obtained, compared to the years of face-to-face study, and the perspective of the pedagogue's experience, pointing out some directions in the realization of the pedagogical process in the on-line environment. The conclusions prove that even if there are some clear drawbacks to online learning, the actors’ voice does not go into lockdown.

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Author Biography

  • Monica Ciută, UNATC ”I.L. Caragiale”, Bucharest, Romania

    Monica Ciută, PhD is a theatre and movie actress and a lecturer PhD at the Faculty of Theatre of UNATC ”I.L. Caragiale” Bucharest, where she has been teaching vocal techniques classes and Introduction to musical since 2005. Her research is focused on several aspects of teaching vocal techniques and canto to drama students: Acting trainer for children – film acting (international awards: Best Child Young Actress/Best Child Young Actor – London Independent Film Awards 2018, Best child actor/actress – Festigious International Film Festival Los Angeles 2018), Emotion coach/Behavioural coach “Victor Hănescu” Tennis Academy, Director of the ”Classic is fantastic” Series – Odeon Theatre & ”George Enescu” Philharmonic (2010 – ongoing); also, her activity contains compositions, musical arrangements and she is a vocal coach for theatre productions (Comedy Theatre, National Theatre of Bucharest, Operetta Theatre, Metropolis Theatre). Published books: "The actor and his singing voice” (a course of vocal technique), ”Beethoven’s Childhood”, ”Chopin's Childhood” (”Great Musicians’ Childhood” collection, Classic is fantastic). PhD thesis (2011): ”The Structures of Sound in Theatrical Representations”.

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Published

2020-12-03

How to Cite

Ciută, M. (2020). Vocea actorului nu intră în lockdown. CONCEPT, 21(2), 111-123. https://doi.org/10.37130/zq2v0r91