Artele spectacolului în vremea pandemiei – O privire de ansamblu (re)compusă din 13 fragmente şi viziuni asupra vieţii culturale –

Authors

  • Ofelia Stanciu UNATC ”I.L. Caragiale”, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/dyc2vy91

Keywords:

2020 pandemic, performing arts, online environment, digitalization, new artistic forms, the creator-public relationship in the post-pandemic dimension, digital explosion

Abstract

Beyond the discussions about restrictions, losses or limitations, the pandemic that affected the cultural life in Romania during March – June 2020 (with the possibility of extending this term beyond the date of writing this article) also brought a period of introspection and analysis on how art will regather to meet the new challenges of social, economic nature - and, perhaps most importantly, the challenges of technological nature. Thirteen personalities in the field of the performing arts answered a set of three questions that aimed to point out both the reaction of the cultural environment to the immediate constraints of the suspension of activity in the performance halls and the medium and longterm forecasts of new art forms and the new ways of the creator – artist – stage – audience relationship, with the digitization of artistic creation on an unprecedented scale.

Author Biography

  • Ofelia Stanciu, UNATC ”I.L. Caragiale”, Bucharest, Romania

    Ofelia Stanciu is a general performances and events producer. We highlight from her producer activity: „The Phantom of the Opera” and „Liliacul” performances, the „Life is beautiful” International Festival of the Arts of the Musical Performance – 5 editions at the „Ion Dacian” National Operetta Theatre. She signed the directorial concept for the concert-performances „Romeo and Juliet”, „Shakespeare and Music”, „Promenade of the Opera” – 3 editions at the Bucharest National Opera. She provided the directorial concept at the Grand Prix de L’Opera Gala, and the Radio Romania News Gala – broadcast live on RRA. Within the „SCENART – Support for Skills in the Performing Arts” project, she was a trainer for the „Delegate Producer for Theatre” course. She was part of the team that developed the occupational standard for the profession of Delegate Producer for Theatre which was included in the organizational chart of theatre institutions in Romania. As a producer she organized over 400 events in the private-advertising sector. She is a doctoral student with the thesis entitled „Performing Arts and Mass Culture” (scientific supervisor Prof. Ludmila Patlanjoglu, PhD) at UNATC „I.L. Caragiale”.

References

National Live Theatre – http://ntlive.nationaltheatre.org.uk/about-us

Royal Opera House – https://static.roh.org.uk/for/pdfs/press-releases-18-19/ROH-celebrates-ten-years-of-cinema-broadcasts.pdf

Metropolitan Opera – https://www.metopera.org/about/the-met/

Wiener Staatsoper – https://www.wiener-staatsoper.at/en/staatsoper/the-opera-house/

Holland Festival – www.hollandfestival.nl/en (comunicate, articole, rapoarte)

Sgourev V Stoyan, The Ascendance of Digital Culture, articol publicat pe artsmanagement.net – https://www.artsmanagement.net/Articles/The-Pandemic-as-a-Factor-of-Transformation-in-Arts-and-Culture-The-Ascendance-of-Digital-Culture,4174

KEA European Affairs, The impact of the COVID-19 pandemic on the Cultural and Creative Sector, Raport publicat în luna iunie 2020, accesibil online la https://keanet.eu/wp-content/uploads/Impact-of-COVID-19-pandemic-on-CCS_COE-KEA_26062020.pdf.pdf

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Published

2020-06-02

How to Cite

Stanciu, O. (2020). Artele spectacolului în vremea pandemiei – O privire de ansamblu (re)compusă din 13 fragmente şi viziuni asupra vieţii culturale –. CONCEPT, 20(1), 6-15. https://doi.org/10.37130/dyc2vy91