Arheologia antropologică a Meşterului Manole şi reflectarea acestui mit în dramaturgia românească
DOI:
https://doi.org/10.37130/g63cf647Keywords:
Builder Myth heritage, Balkan folklore, Romanian popular ballad „Meșterul Manole”, modern Romanian drama, Lucian Blaga, Mircea EliadeAbstract
The Romanian modern drama was marked (till 1965, n. b.) by two plays: „The Manole Handicraftsman” (1927) by writer and philosopher Lucian Blaga and „The Death of an Artist” (1964) by Horia Lovinescu. The first was an expressionist illustration of the idea that patterns of the Modern Age are coming from the Indo-European complex primitivism; the second was a metaphorical answer to Socialist Realism, supporting the idea that behind an artistic act lays a mythological and idealistic mentality. Our study investigates the Balkanic roots and variants of The Manole Handicraftsman Myth and their evolution according to the views of Mircea Eliade. The next step will make subtle connections between the myth heritage that survived in the regional popular ballads and the modern drama. Even if the study does not directly link the mythological and the modern mentalities, we try to demonstrate that a connection over ages is activated when the nowadays artists create by regaining the lost paradise of unity between the essence and the form.
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