Principiile corectării defectelor de pronunţie în vorbirea scenică Studiu de caz: Sigmatismul

Authors

  • Ioana Octavia Visalon ”Dunărea de Jos“ University of Galaţi, Romania Author

DOI:

https://doi.org/10.37130/ry8t9x15

Keywords:

stage speech, diction exercises, pronunciation, muscular dissociation, Romanian sibilant consonants, dyslalia

Abstract

The accessible and fun diction exercises, which have long entered the theatrical practice, have become, through the sometimes indiscriminate use, a double-edged instrument. Effective correction of pronunciation defects in adulthood is a complex process in which it is essential to adhere to principles resulting from the corroboration of the latest information in areas such as speech therapy, defectology, phonetics and cognitive sciences. The operation of these principles is demonstrated below in the case of sigmatism, a very common category of pronunciation deficiencies. The plan for correcting the s consonant is presented in detail and the work methods for correcting the ș, z, ț, j, tʃ͡ (ci, ce) and d͡ʒ (gi, ge) consonants are briefly presented.

Author Biography

  • Ioana Octavia Visalon, ”Dunărea de Jos“ University of Galaţi, Romania

    Ioana Visalon is an actress and lecturer PhD at the Faculty of Arts of the „Dunărea de Jos” University in Galaţi, where she teaches Speech for Stage Training, member of VASTA (Voice and Speech Trainers Association, https://www.vasta.org/ professional-index/profile/ioana-o-visalon). She taught for 18 years Speech for Stage at the Faculty of Theatre of the „Spiru Haret” University of Bucharest. She debuted as an actress in 1994 at the „Radu Stanca” Theatre in Sibiu, where she played leading roles until 1997. She was part of the Dan Puric PassePartout Company, where she worked for 7 years, playing in the company’s performances at the Nottara Theatre, Bucharest National Theatre, Rapsodia Hall, as well as in numerous national and international tours. She has played in independent theatre productions, in international film co-productions (in French and English), as well as in television films. She is the author of the book „The Actor Beyond Word”, published at the Transilvania University Publishing House in Braşov, a revised version of the doctoral work entitled „At the Confluence of the Plastic Arts and the Performing Arts: Light, the Body of the Performer and Garments in the Contemporary Stage Performance”, defended at the University of Arts of Bucharest.

References

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Published

2020-06-02

Issue

Vol. 20 No. 1 (2020): Pandemia 2020 – Artele spectacolului şi învăţământul online

Section

Articles

How to Cite

Visalon, I. O. (2020). Principiile corectării defectelor de pronunţie în vorbirea scenică Studiu de caz: Sigmatismul. CONCEPT, 20(1), 170-180. https://doi.org/10.37130/ry8t9x15