Euripides’ Bacchae and Athenian Democratic Ideology: An Interpretation
DOI:
https://doi.org/10.37130/jpmdme23Keywords:
Euripides, Dionysus, Bacchic ecstasy, Athenian religion, democracyAbstract
In this article, I argue that in Bacchae, Euripides masterfully attempts to combine the essential qualities of the Dionysian cult, which seek to temporarily alleviate human suffering and drastically alleviate mental anguish, with the fundamental principles and values of the Athenian democratic city-state. These principles prioritise, inter alia, every possible celebratory occasion for the emotional relief and moral fortification of citizens. The gruesome dismemberment of Pentheus illustrates, in the most shocking way possible, the disastrous consequences that could arise in a city where, in the name of egocentric intellectuality and inflated narcissism, the ruling class stubbornly denies the populace’s inalienable right to enjoy the uplifting effect of religious enthusiasm and festive frivolity, including the subversive, prima facie, but essentially therapeutic Bacchic relaxation, which can sometimes culminate in celebratory defiance and dreamlike illusion.
Downloads
References
Bierl, A. (1991) Dionysos un die griechische Tragödie: Politische und “metatheatralische” Aspekte im Text. Narr Francke Attempto: Tübingen.
Carbon, J.-M. (2015) ‘Ritual Cycles: Calendars and Festivals’, in E. Eidinow & J. Kindt (eds) (2015) The Oxford Handbook of Ancient Greek Religion. Oxford University Press: Oxford, pp. 537-550.
Henrichs, A. (2019) Greek Myth and Religion, Collected Papers II, ed. H. Yunis. Walter de Gruyter GmbH: Berlin & Boston.
Markantonatos, A. (2002) Tragic Narrative. A Narratological Study of Sophocles’ Oedipus at Colonus. Walter de Gruyter: Berlin & New York.
Markantonatos, A. (2007) Oedipus at Colonus: Sophocles, Athens, and the World. Walter de Gruyter: Berlin & New York.
Markantonatos, A. (2013) Euripides’ Alcestis: Narrative, Myth, and Religion. Walter de Gruyter GmbH: Berlin & Boston.
Markantonatos, A. (2020) Το Βάρος της Γνώμης. Θέατρο, Παιδεία, Λογοτεχνία, Πολιτική. Athens.
Markantonatos, A. (2021a) Η Φωνή του Παρελθόντος. Ερμηνευτικές Δοκιμές στο Αττικό Δράμα. Athens.
Markantonatos, A. (2021b) Εν τη Ρύμη του Λόγου. Λογοτεχνία και Παιδεία. Athens.
Markantonatos, A. (2022) ‘Εισαγωγή: Η Ηθική Διάσταση του Αττικού Δράματος’, in A. Markantonatos & K. Diamantakou (eds) (2022) Η Έννοια του Ηθικού Χρέους στο Αρχαίο Ελληνικό Θέατρο. Athens, pp. 13-51.
Markantonatos, A. (2023) Το Ύψος των Ιδεών. Θέατρο, Ιστορία και Εκπαίδευση. Athens.
Parker, R. (1996) Athenian Religion: A History. Oxford University Press: Oxford.
Scullion, S. (2007) ‘Festivals’, in D. Ogden (ed.) (2007). A Companion to Greek Religion. Wiley-Blackwell: Malden & Oxford, pp. 190-203.
Sourvinou-Inwood, C. (1988) „Further Aspects of Polis Religion”. AION 10, pp. 259-274.
Sourvinou-Inwood, C. (1990) ‘What is Polis Religion?’, in O. Murray & S. R. F. Price (eds) (1990). The Greek City from Homer to Alexander. Clarendon Paperbacks: Oxford, pp. 295-322.
Sourvinou-Inwood, C. (2003) Tragedy and Athenian Religion. Lexington Books: Lanham, Boulder & New York.
Sourvinou-Inwood, C. (2008) ‘Αθηναϊκή Θρησκεία και Αρχαία Ελληνική Τραγωδία’, in A. Markantonatos & C. Tsagalis (eds) (2008). Αρχαία Ελληνική Τραγωδία. Θεωρία και Πράξη. Athens, pp. 117-147.
Sourvinou-Inwood, C. (2011) Athenian Myths and Festivals: Aglauros, Erechtheus, Plynteria, Panathenaia, Dionysia, ed. R. Parker. Oxford University Press: Oxford.
Zeitlin, F. I. (1990) ‘Thebes: Theater of Self and Society in Athenian Drama’, in J. J. Winkler & F. I. Zeitlin (eds) (1990). Nothing to Do with Dionysos? Athenian Drama in Its Social Context. Princeton University Press: Princeton, pp. 130-167.