The Actor Between Opportunity and Intuition

Authors

  • Alina Suărășan UNATC ”I.L. Caragiale”, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/g2h6hv40

Keywords:

actor, luck, intuition, actor’s luck, Chekhov, characters’ luck, being lucky

Abstract

Starting from the word “luck”, the article shows the multiple meanings of the term and tries to find possible answers to the ????uestion: what exactly does “being lucky” mean???? The analysis proposes ideas and answers on how the actor could influence his own luck and shows how bad luck can be changed into good luck. The article proposes a science-based reconsideration of the idea of luck.

The fact that intuition exists has been scientifically proven, and the article proposes the idea that the actor might have an advantage in influencing his luck because he has at his disposal a tool trained for years in working for the stage: his own intuition. The research uses references from philosophy, psychology, films, TV series, examples of Hollywood actors considered lucky, and analysis of Chekhovian lines on luck. In conclusion, the research leads to the idea that the actor’s actions to generate his own luck could be based on the actor’s courage to listen to his intuition.

Author Biography

  • Alina Suărășan, UNATC ”I.L. Caragiale”, Bucharest, Romania

    Alina Suărășan is a graduate of the “I.L. Caragiale” National University of Theatre and Film in Bucharest, the Art of the Actor department (MA in 2014, BA in 2012). In 2022 she defended her doctoral thesis titled: “The Work of the Actor with Himself and On the Role. Working Instruments”, the theme of the research being the self-awareness of the actor. In 2019 she was invited, in residence, to the Urban Nation Museum in Berlin, where she realized the “My Berlin” project. In 2017, she won the contest organized by the Theatre of Playwrights of Bucharest with the play Margo. She currently works as a screenwriter, playwright and copywriter (www.alisu.ro).

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Published

2021-12-02

How to Cite

Suărășan, A. (2021). The Actor Between Opportunity and Intuition. CONCEPT, 23(2), 184-200. https://doi.org/10.37130/g2h6hv40