Determining Effects of Self-censorship and Censorship on the Stage Creativity of Teenagers

Authors

  • Iulia Ursa Independent Researcher, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/v2vd2354

Keywords:

censorship, self-censorship, theatrical pedagogy, actor’s training, theatre as teaching method

Abstract

This article is structured around an investigative approach that pursued three main goals. First goal our research pursues is to describe the process we use to build a genuine show which includes teenagers’: thoughts, opinions, analysis and messages on a topic from immediate reality. The second goal we pursue is to present the ways to dramatize an essay - the text of the show being developed an epic essay. The third goal of our research is to present the ways of managing the mechanisms of censorship and self-censorship imposed by the school context in which the show was presented.

In our research construct we used the analytical investigation of the written materials, the essay and the resulting dramatic text. We analyzed the recording of the show. Last but not least, we conducted a semi-structured interview with the author of the essay who was on the same time one of the authors of the resulting dramatic text. Following the investigative approach, we concluded that the main gain of the participants was the awareness of the power of knowledge and learning. From a didactic perspective, we have shown that any situation born around a crisis can generate a good opportunity for learning.

Author Biography

  • Iulia Ursa, Independent Researcher, Bucharest, Romania

    Iulia Ursa is an actress and theatre pedagogue. She is a graduate of the acting class of Prof. dr. Miklós Bács, lect. Irina Vincze, at the Babeş-Bolyai University. She worked for the North Theatre, Satu-Mare and collaborated with the ”Lucian Blaga” National Theatre in Cluj-Napoca. In 2005 she began teaching acting at the ”Octavian Stroia” High School of Drama and Choreography in Cluj-Napoca, at the invitation and under the direct guidance of actress and theatre pedagogue Melania Ursu. She has worked as an educational expert in the POSDRU project: Artistic Practice – the Transition of the Young Artist towards the Labor Market. In 2018 she was granted the title of doctor in the Performing Arts for her thesis entitled Analysis of Actor’s Art Didactics through Psycho-Pedagogical Methods, under the guidance of Prof. András Hatházi, PhD.

References

Alterescu, S., Costa-Foru, A. V., Flegont, O., & Cazaban, I. (1965) Istoria teatrului în România. Vol. I. Bucureşti: Editura Academiei Republicii Socialiste România.

Brown, J. R. (2016) Istoria teatrului universal. Ediţie Oxford ilustrată. Traducere de A. Voicu, C. M. Crăciun, & D. Ionescu. Bucureşti: Nemira Publishing House.

Cristea, S. (2005) Teorii ale învăţării: modele de instruire. Bucureşti: Editura Didactică şi Pedagogică.

De Corte, E., & Weinert, F. (Eds.)(1996) International encyclopedia of developmental and instructional psychology. Oxford: Pergamon.

Ebel, R. L. (Ed.). (1960) Encyclopedia of Educational Research. Toronto: The Macmillan Company.

Pongrac, Sara (2018) ’România e în zodiac Balanță’, Dilema Veche, 6-12 Septembrie 2018.

Robinson, K. (2011) O lume ieşită din minţi. Traducere de D.-M. Brăgaru. Bucureşti: Publica.

Ubersfeld, A. (1999) Termenii cheie ai analizei teatrului. Traducere de G. Loghin. Iaşi: Institutul European.

Ursa, Iulia (2021a) Interviu cu Raluca Salamon. [In the archive of the author].

Ursa, Iulia (2021b) Interviu cu Sara Pongrac. [In the archive of the author].

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Published

2021-06-10

How to Cite

Ursa, I. (2021). Determining Effects of Self-censorship and Censorship on the Stage Creativity of Teenagers. CONCEPT, 22(1), 191-202. https://doi.org/10.37130/v2vd2354