Screenwriting, Industry, and Power. Review of Steven Maras Scenariul De Film. Istorie, Teorie Și Practică

Authors

  • Constantin Pârvulescu Babeş-Bolyai University, Cluj-Napoca, Romania Author

DOI:

https://doi.org/10.37130/93ab8416

Keywords:

textbooks, screenwriting, Hollywood, industrial relations, discursive power, Steven Maras, Romanian translation

Abstract

The review explores the translation and significance of Steven Maras’s Screenwriting: History, Theory, and Practice into Romanian, emphasizing its relevance within the global academic and filmmaking landscape. Maras’s theoretical approach, influenced by Foucault and cultural studies, offers insights applicable beyond Hollywood, including to Romanian filmmaking practices. Despite differences between Hollywood and Romanian cinema, Maras’s work prompts critical reflection on power dynamics, institutional influences, and the visibility of screenwriters. It aids teaching by focusing it towards understanding screenwriting as a blueprint for production, highlighting the industrial dimensions of the craft.

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Published

2024-06-15

How to Cite

Pârvulescu, C. (2024). Screenwriting, Industry, and Power. Review of Steven Maras Scenariul De Film. Istorie, Teorie Și Practică. CONCEPT, 28(1), 173-179. https://doi.org/10.37130/93ab8416