Thomas Vinterberg or the Tension between Normative Dogmatism and Aesthetic Liberation. An Analysis From the Perspective of Narrative Structure
DOI:
https://doi.org/10.37130/9rr77m23Keywords:
Dogme 95, manifesto, narrative structure, aesthetic liberation, Thomas VinterbergAbstract
In 1995, Lars von Trier and Thomas Vinterberg spearheaded a radical cinematic movement by creating the Dogme 95 manifesto, which challenged the conventional aesthetics of filmmaking. This article explores the tension between the movement’s normative dogmatism and the aesthetic liberation it sought, focusing on Vinterberg’s narrative structures in Festen and The Hunt. Through an analysis of the director’s adherence to and reinterpretation of Dogme 95 principles, the study examines how these films navigate the balance between creative constraint and artistic self-expression.
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Submarino (2010) Directed by Thomas Vinterberg, screenplay by Jonas T. Bengtsson, Thomas Vinterberg, Tobias Lindholm. Cast: Gustav Fischer Kjærulff, Sebastian Bull, Mads Broe Andersen, Jakob Cedergren.
Druk/Another Round (2020) Directed by Thomas Vinterberg, screenplay by Thomas Vinterberg, Tobias Lindholm. Cast by Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe. Awards: Academy Award for Best Film 2021, Best Film, Best Screenplay – European Film Academy Awards 2020, Best Actor in a Leading Role – Mads Mikkelsen.
