Mythologizing the Political Gesture, a Vector of Myth Perpetuation in Contemporary Society. The Dance of Reality and Alejandro Jodorowsky

Authors

  • Ilinca Stihi UNATC ”I.L. Caragiale”, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/8eg65s07

Keywords:

Alejandro Jodorowsky, myth, nations, mythologization of political gesture, sacred space, mythologizing act, contemporary society

Abstract

An unusual common element of the secular society of the 20th century is the mythologization of the political gesture, in both the space of communist identity and the one in which different forms of Athenian democracy have been perpetuated until today. The Dance of Reality (2013), the film of Chilean director Alejandro Jodorowski captures and artistically transposes this mutation of community metaphysics from the area of religion to that of politics. By analysing two emblematic scenes from Jodorowski's film using concepts underlying Mircea Eliade's myth theory, the article aims to investigate the process by which contemporary society creates new mythical landmarks in the secular space, by mythologizing the political gesture with the help of mythologizing act storytelling.

Author Biography

  • Ilinca Stihi, UNATC ”I.L. Caragiale”, Bucharest, Romania

    Ilinca Stihi is a PhD student at the “I.L. Caragiale” University of Theatreand Film, Bucharest, in the field of film. Since 2005 she has been director of sound fiction at Radio Romania. For her fiction she has received international awards at prestigious festivals such as Prix Italia, Prix Marulic, Premios Ondas, New York Festival and Grand Prix Nova. She wrote the weekly film column for Luceafărul magazine. An author’s study on Dostoevsky’s work was published in the collective volume Revisting Dostoievsky, 200 Years Since His Birth (2021). During her doctoral research, she focused on the new film aesthetics, holding conferences in Romania and abroad.

References

Campagna, Federico (2018). Technic and Magic: The Reconstruction of Reality. London: Bloomsbury Academic.

Eliade, Mircea (1959). The Sacred and the Profane. New York: Harcourt, Brace & World.

Gonzalez, Moldes Diego (2012). Alejandro Jodorowsky. Madrid: Ediciones Catedra.

Jodorowsky, Alejandro (2021). Deconstructing the Jodoverse. New York: Humanoids.

Mitry, Jean (1973). Esthétique et psichologie du cinema. Paris: Éditions Universitaires

Susyk, A., Noheden, K. (2021). Surrealism and Film after 1945: Absolutely Modern Mistery. Manchester: Manchester University Press.

Yacavone, Daniel (2014). Film Worlds, A Philosophical Aesthetics of Cinema. New York: Columbia University Press.

The Dance of Reality (2013). Directed by Alejandro Jodorowsky. Chile & France: Caméra One & Le Soleil Films.

La Coquille et le Clergyman (1928). Directed by Germaine Dulac. France: Delia Film.

Un chien andalou (1929). Directed by Luis Buñuel. France

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Published

2022-06-05

How to Cite

Stihi, I. (2022). Mythologizing the Political Gesture, a Vector of Myth Perpetuation in Contemporary Society. The Dance of Reality and Alejandro Jodorowsky. CONCEPT, 24(1), 22-30. https://doi.org/10.37130/8eg65s07