The Sinuous Evolution of Censorship from the Myth of Plato’s Cave Towards the Convergence Between Virtual Reality and the Social Network

Authors

  • Catinca Nicoară UNATC ”I.L. Caragiale”, Bucharest, Romania Author

DOI:

https://doi.org/10.37130/ja0kxb48

Keywords:

censorship, political correctness, Platonic realism, virtual reality, social network, Plato’s cave, public opinion

Abstract

The matter analyzed in this paper refers to censorship as a phenomenon that is part of human culture from the dawn of mankind. In this light the term “fake news” coined on the social network is the practice to project audiences a mystification of reality as reality itself intrinsically a practice as old as humanity. Having this for foundation, I consider censorship a subtle way of altering reality for the benefit of the power, but most interesting an individual inner process generated by a stiff interpretation of politically correctness often called public opinion.

Ergo I argue about Platonic realism, that postulate universals as abstract objects that exists objectively outside human mind, in the context of social networks. Scrutinizing Plato’s Cave Allegory, as an artistic way of communicating with audience, I will summarize the genuine and indispensable elements that structure the artistic content of audiovisual communication of today.

Author Biography

  • Catinca Nicoară, UNATC ”I.L. Caragiale”, Bucharest, Romania

    Catinca Nicoară is a graduate with the Bachelor and the Master’s degree in Graphics at National University of Arts in Bucharest. Even before graduating she has been working in advertising. She has illustrated several books for children, contributed to key graphics for internet sites and realize pro bono graphic ID as well as booklets for charitable organizations. She is currently in the second year of PhD studies in cinema at the “I.L. Caragiale” National University of Theatre and Film and works as senior Art Director at multimedia and nonconventional advertising company where she is involved with new media mass communication using graphic design as an emotional language.

References

Bernays, Edward (2004) Propaganda. New York: Ig Publishing.

Herman, Edward S., Chomsky, Noam (2002) Manufacturing Consent: The Political Economy of the Mass Media. New York: Panteon Books.

Jowett, B. (ed.) (2010) The Dialogues of Plato. Translated into English with Analyses and Introductions by B. Jowett. Cambridge: Cambridge University Press.

Lippmann, Walter (1997) Public Opinion. Reissue edition. New York: Free Press.

Marcu, Florin, Maneca, Constant (1986) Dicționar de Neologisme. București: Editura Academiei.

Platon (1986) Opere. Vol. V. Translated by de Andrei Cornea și Cătălin Partenie. București: Editura Științifică și Enciclopedică.

Platon (2013) Republica. Translated by Dumitru Vanghelis. București: Editura Antet.

Cordis (2011) Real and Virtual Engagement in Realistic Immersive Environments [Online]. Available at: https://cordis.europa.eu/project/id/287723 (Accessed: 03.03.2021)

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Published

2021-06-10

How to Cite

Nicoară, C. (2021). The Sinuous Evolution of Censorship from the Myth of Plato’s Cave Towards the Convergence Between Virtual Reality and the Social Network. CONCEPT, 22(1), 40-49. https://doi.org/10.37130/ja0kxb48